I thought it would be interesting to include the reference photo that I used, so that you could see my process, and so that I can document this for future reference. I used to be really literal about my interpretation from photos, painting every detail that was in the photo and I found the results from these paintings were sterile and had less of what I wanted to express than I would like. I have had to make a really conscious effort to eliminate distracting and unnecessary detail, adjust tonal values, and work out the composition.
I do a grid of four squares on my photos, usually. You can see the blue lines on the photo, made with a blue Stabilo pencil (an indispensible tool from my sign painting days). This way I can gauge where lines should be without looking too static, as if I was following a join the dots picture.
I tried to emphasize the horse in the foreground, tone down the lights above, and eliminate distracting detail behind the horse, while maintaining a feel of the carousel. The photo was taken at night, so the colour balance was incorrect, but I thought that I would keep that in the painting to give it a kind of old fashioned look. I would go on this ride!
6x6" Oil on gessoed masonite
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GORGEOUS!
ReplyDeleteI am just in love with this whole series of paintings, Catherine. They just hold so many fun memories for me and bring out that childish glee of the amusement park. Wish I could afford to buy them as these would make a great addition to my walls!
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